BEHIND THE SCENES AT CITY NEWS
Beirut-based publisher of Selections, Art Paper, Le Cercle, Phoenicia Magazine, B Journal, and Latitude
Tuesday 9 September 2014
Tuesday 2 September 2014
How to celebrate things that don’t exist: The 31st Bienal de São Paulo opens its doors
Agnieszka Piksa, Justiça para os Aliens, Justice for Aliens 297 × 420 mm, 8 páginas • colagem digital, ©Agnieszka Piksa 2012 |
The title of the 31st Bienal de São Paulo - “How to (...) things that don’t exist” is a poetic invocation of art’s ability to create new objects, thoughts and possibilities. The sentence has a variable formula that constantly changes, anticipating the actions that might make present in contemporary life the things that don’t exist, are not recognized, or have not yet been invented.
Curated by Charles Esche, Galit Eilat, Nuria Enguita Mayo, Pablo Lafuente and Oren Sagiv with associate curators Benjamin Seroussi and Luiza Proença, and with 81 projects and more than 100 participants from 34 countries, totaling around 250 artworks on display, the exhibition has been conceived as journey through the Pavilion divided into three different areas: park area, ramp area and columns area.
Jo Baer, Na terra dos gigantes (Espiral e estrelas), In the Land of the Giants (Spiral and stars), 2009-2013 • 155 × 155 cm
• óleo sobre tela • cortesia: Galerie Barbara Thumm, Berlim, ©Jo Baer |
“In the 31st Bienal, we have tried to bring together artists that tackle the complexities of today when the end of the modern meets the still uncertain beginnings of a new system of thinking”, suggests the curatorial team. “In this transitional time, artists no longer need to claim a special area of skill or knowledge. They are, like many others, searching for a new ethics and mode of existing by which to order their lives and contribute to society.”
Dan Perjovschi, Repertório de desenhos, Society Stadium [Estádio da sociedade] 1999-2013 • dimensões variadas • desenho |
To know more about the 31st Bienal de São Paulo please visit http://www.31bienal.org.br/en/
Labels:
Abu Dhabi,
Art,
Beirut,
Benjamin Seroussi,
Bienal,
Brazil,
Charles Esche,
Doha,
Dubai,
exhibition,
Galit Eilat,
London,
Luiza Proença,
Nuria Enguita Mayo,
Oren Sagiv,
Pablo Lafuente,
Sao Paulo,
South America
Wednesday 13 August 2014
Gaggenau - Michael Anastassiades 'Rigorously Purist'
When she's not busy being editor-in-chief of Le Cercle, our sister magazine from City News Publishing, Anastasia Nysten is working away with Michael Anastassiades to create beautiful design installations like these.
Tuesday 29 July 2014
Selections || The Design Issue
The Design Issue marks a new look for Selections as the magazine is re-launched with a new focus on arts & culture. With two exclusive covers designed especially by Studio Putman, in Paris, and Rana Salam, in Beirut, the issue presents the leading lights from architecture, product design, fashion, and design innovation across the region, with guests from Europe also. Zaha Hadid is in conversation with architectural critic Hilary French; design guru Justin McGuirk reviews this year's Salone del Mobile; Rabih Kayrouz is photographed in his Paris atelier; Sheyma Bu Ali considers Thomas Heatherwick's scheme for Abu Dhabi; and we review Richard Serra's new desert installation. We look to street culture with Rana Salam and peek in to the world of Olivia Putman in our Curated By section.
Labels:
Architecture,
Beirut,
Beirut Design Week,
Culture,
Design,
Doha,
Dubai,
Fashion,
Magazine,
Olivia Putman,
Qatar,
Rabih Kayrouz,
Rana Salam,
Richard Serra,
Salone Del Mobile,
Selections,
Thomas Heatherwick,
Zaha Hadid
Wednesday 25 June 2014
Art Paper #03
Paintings and quotations by Etel Adnan. Courtesy of Sfeir-Semler Gallery and the artist. |
At the top of the poster shown above is an untitled
painting, real size 35 x 45cm, made sometime between 1995 and the year 2000.
It’s by Etel Adnan: essayist, novelist, journalist, poet, playwrite, painter,
videographer and tapestry designer; philosophy graduate of the Sorbonne, Berkeley
and Harvard; child of Beirut, born in 1925 to a Greek mother and Syrian father;
and 89-year-old resident of Sausalito, California. She is currently being
celebrated at Mathaf: Arab Museum of Modern Art with the retrospective show
Etel Adnan in All Her Dimensions, curated by superstar Hans Ulrich Obrist. We
wanted to show her paintings as large as our print space would allow, in the
form of a poster that can be pulled out and kept. And we felt we had to quote
from some of her writings that relate to her paintings, as she is so erudite
and uplifting on the subject. Inside the
back cover are sections from the first of her many manuscripts, a painted
version of the Arabic poem Madinat Al Sindbad, by Badr Shakir al-Sayyab,
reproduced my Mathaf for their current show. Obrist is fond of saying that
Adnan should be awarded the Nobel Prize in Literature, according to Adnan’s
gallerist Andrée Sfeir-Semler. The Nobel Prize has been awarded to women 45
times, out of 561 given in total; perhaps Adnan could raise it to 46.
[This text is an extract from
What's Inside, the opening page of the Art Paper #03]
Labels:
Arab Art,
Art,
Art Paper,
Etel Adnan,
Painting
Location:
Beirut, Lebanon
Friday 30 May 2014
Thursday 15 May 2014
Chanel Cruise 2014/5 on The Island, Dubai
Our commitment to the world of fashion is so great that on
Tuesday, we journeyed by car, plane and boat, and all the way to a desert
island to see the Chanel Cruise collection for 2014/5 – although, admittedly, the
experience was less wild, beardy Tom Hanks in Castaway, more chic island-luxe.
On Tuesday, Selections’ Rima Nasser arrived in Dubai and travelled to Karl
Lagerfeld’s Arabian retreat on The Island, where against the grandiose backdrop
of a blaze of sunset and the futuristic skyline, shisha tents and candles
dotted the landscape.
1000 guests sat within the custom-built, mashrabiya-silhouetted
structure and enjoyed a show daubed in the classic Chanel colour palette of
white, black and beige, interrupted by moments of fuschia, midnight blue and
red and floral prints. Oriental art was reinterpreted into contemporary lines
and forms across the likes of three-piece suits, long and mini tunics, short
overalls, and boleros.
Following the show, fashion editors and models – as well as
celebrities including Tilda Swinton, Freida Pinto, and Dakota Fanning – traded
hasty between-shows Marlboro Lights for a relaxed puff on an arghila, gathered
around lantern-lit tables and to the soundtrack of Moroccan musicians. If this
is island living, then we’re ready to get shipwrecked.
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